Ustad Karamatullah was one of the greatest players of the Farukhabad gharana in recorded history. I searched for a biography of his online, but came up with none except for a small snipet of his father, Ustad Masit Khan, who was known as an early popularizer of the Faroukhabad gharana in West Bengal:
“The late Ustad Masit Khan, was the unparallel tabla maestro of his time and practically performed with all the top musicians, such as Ustad Fayyaz Khan Sahab, Ustad Hafiz Ali Khan, Ustad Enayat Hussain Khan, and Ustad Wazir Khan, to name a few.
Ustad Masit Khan was primarily responsible for popularizing the style of “Farukkabad Gharana” in West Bengal through his disciples, like the late Pandit Jnan Prakash Ghosh, the late Rai Chand Boral, the late Montu Bannerjee, the late Kanai Dutta, and his son, the late Ustad Karamatullah Khan, who himself has given a new dimension of accompaniment, with Vocal, Instrument and Dance, and of course in Solo style of playing for which the musicians and the music lovers of the country will remember him for ever and ever. He was also given an award by the Sangeet Natak Academy.” (http://worldmusiccentral.org/artists/artist_page.php?id=1885)
This recording on youtube is in teental (16 beats). After Khan Saheb’s opening composition, he plays a chellan with a folk-like lilt to it that I have heard my guruji, Abhiman Kaushal, render before. It has a swing to it that is almost in between chatusra (4’s) and tisra (3’s). It is a treat to hear it here! Ustadiji follows it with a rela in tisra jati (3’s). Another unique rela follows, using dhera dhera. And Khan Saheb concludes here with yet another rare composition!